The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. Then, in mid-century, great teaching artists such as Harold Clurman, Stella Adler, Sanford Meisner, Lee Strasberg, and others began developing methodologies and opened private training studios to. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Lydia holds a diploma in Creative Producing and has a degree in Physiology from Oxford University. Writing credits include: ‘Great Expectations’ (adapted from Charles Dickens’ classic novel), Playground Theatre, London (2019) and ‘Borderline’, Lion & Unicorn Theatre (2018). Short film and online credits (acting) include: The Memory of Water (2022), Lockedown Locked-in (2021), Madame X (2020), Love Letters (2020), Enodia (2019), Nightmare (2018) and Susanna al Bagno di Sangue (2017).
Theatre credits (acting) include: Madame X (2019), Mothers and Lovers (2019), Six Nights on the Acropolis (2018), A Respectable Wedding (2018) and Splinters (2018). Lydia’s acting training includes: Theatre Lab Company (2017-2021) RADA Contemporary Acting (2018) Stella Adler Studio of Acting (2012-2013) and New York Film Academy (2010). Anastasia Revi, Playground Theatre, 2019). She has worked with Theatre Lab Company across these roles since 2017, most recently adapting Charles Dickens’ Great Expectations for the stage (dir.
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